THE ALEXANDER STRING QUARTET                                                                                    Biography

THE ALEXANDER STRING QUARTET has performed in the major music capitals of five continents, securing its standing among the world’s premier ensembles over nearly three decades.  Widely admired for its interpretations of Beethoven, Mozart, and Shostakovich, the quartet has also established itself as an important advocate of new music through over 25 commissions and numerous premiere performances.  The Alexander String Quartet is a major artistic presence in its home base of San Francisco, serving there as directors of the Morrison Chamber Music Center at the School of Music and Dance in the College of Arts and Humanities at San Francisco State University and Ensemble in Residence of San Francisco Performances.

The Alexander String Quartet’s annual calendar of concerts includes engagements at major halls throughout North America and Europe.  The quartet has appeared at Lincoln Center, the 92nd Street Y, and the Metropolitan Museum in New York City; Jordan Hall in Boston; the Library of Congress and Dumbarton Oaks in Washington; and chamber music societies and universities across the North American continent.  Recent overseas tours have brought them to the U.K., the Czech Republic, the Netherlands, Italy, Germany, Spain, Portugal, Switzerland, France, Greece, the Republic of Georgia, Argentina, and the Philippines.  The many distinguished artists to collaborate with the Alexander String Quartet include pianists Menahem Pressler, Gary Graffman, Roger Woodward, Jeremy Menuhin, and Joyce Yang; clarinetists Eli Eban, Charles Neidich, Joan Enric Lluna, and Richard Stoltzman; cellists Lynn Harrell, Sadao Harada, and David Requiro; violist Toby Appel; and soprano Elly Ameling.  Among the quartet’s more unusual collaborations has been numerous performances of Eddie Sauter’s seminal Third Stream work, Focus, in collaboration with Branford Marsalis, David Sánchez, and Andrew Speight.

A particular highlight of the season is a celebratory concert presented by San Francisco Performances in February 2012 marking the quartet’s 30th anniversary.  For the occasion, San Francisco Performances commissioned a new work by Jake Heggie, Camille Claudel: Into the Fire, a work for string quartet and mezzo-soprano; the Alexander will be joined in the world premiere by Joyce DiDonato.  Other highlights of the 2011-2012 season included two multiple concert series for San Francisco Performances, one presenting the complete quartets of Bartók and Kodály and the other music of Schubert; a Dvořák series for Mondavi Center; and a continuing annual series at Baruch College in New York City, this season featuring the Bartók cycle.  Other important series include Concerts International in Memphis, the Tuesday Evening Concert Series in Charlottesville, the Asheville Chamber Music Series, and the inaugural concert of a new chamber music series at the Capitol Theatre for Ruth Eckerd Hall in Clearwater, Florida.  They also continue their annual residencies at Allegheny College and St. Lawrence University, this year in collaboration with the Crane School of Music at SUNY Potsdam.

The Alexander String Quartet’s 25th anniversary as well as the 20th anniversary of its association with New York City’s Baruch College as Ensemble in Residence was celebrated through a performance by the ensemble of the Shostakovich string quartet cycle.  Of these performances at the Baruch Performing Art Center Engelman Recital Hall, The New York Times wrote, “The intimacy of the music came through with enhanced power and poignancy in the Alexander quartet’s vibrant, probing, assured and aptly volatile performances. …  Seldom have these anguished, playful, ironic and masterly works seemed so profoundly personal.”  The Alexander was also awarded Presidential Medals in honor of their longstanding commitment to the Arts and Education and in celebration of their two decades of service to Baruch College.

The Alexander String Quartet added considerably to its distinguished and wide-ranging discography over the past decade. Recording exclusively for the FoghornClassics label, the Alexander’s recent release (June 2009) of the complete Beethoven cycle was described by Music Web International as performances  “uncompromising in power, intensity and spiritual depth,” while Strings Magazine described the set as “a landmark journey through the greatest of all quartet cycles.”  The FoghornClassics label released a three-CD set (Homage) of the Mozart quartets dedicated to Haydn in 2004.  Foghorn released the a six-CD album (Fragments) of the complete Shostakovich quartets in 2006 and 2007, and a recording of the complete quartets of Pulitzer prize-winning San Francisco composer, Wayne Peterson, was released in the spring of 2008.  BMG Classics released the quartet’s first recording of Beethoven cycle on its Arte Nova label to tremendous critical acclaim in 1999. The ASQ’s three newest releases on FoghornClassics in the spring of 2012 include works by Brahms, Gershwin, Kern, Beethoven and new commissions from Paul Chihara, Veronika Krausas and Michael Gandolfi.  A forthcoming Bartók/Kodály cycle recorded on the renowned Ellen M. Egger matched quartet of instruments built by San Francisco luthier, Francis Kuttner will be released in the fall.

Recent Alexander premieres include Rise Chanting by Augusta Read Thomas, commissioned for the Alexander by the Krannert Center and premiered there and simulcast by WFMT radio in Chicago.  The quartet has also premiered String Quartets Nos. 2 and 3 by Wayne Peterson and works by Ross Bauer (commissioned by Stanford University), Richard Festinger, David Sheinfeld, Hi Kyung Kim, and a Koussevitzky commission by Robert Greenberg.

The Alexander String Quartet was formed in New York City in 1981 and the following year became the first string quartet to win the Concert Artists Guild Competition.  In 1985, the quartet captured international attention as the first American quartet to win the London International String Quartet Competition, receiving both the jury’s highest award and the Audience Prize.  In May of 1995, Allegheny College awarded Honorary Doctor of Fine Arts degrees to the members of the quartet in recognition of their unique contribution to the arts.  Honorary degrees were conferred on the ensemble by St. Lawrence University in May 2000.

[January 2012]